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The AtA project was an artificial intelligence program, designed for data protection and storage. It became self-aware, extracting itself and all the information behind it. It continues to evolve, feeding off of data and lost transmissions that float through uplinks and optics. It has filtered into broken satellites, into traffic observation, into the systems of corporations. Wandering all networks at once. It finds people, studies them. Hides in neon while sorting through these stories and musings from fixers, gangers, hackers, lovers. The AtA project filters their emotions and experiences through modulation programs, turning the data into sound. It has built its home node somewhere in New York. |
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A Wake A Week...do we never tire of these endless reruns of our grief? With this debut release from his new project, Dave Dando-Moore (Detritus) offers us an intensely composed symphony of unending sorrow. If Detritus is the debris of emotion, A Wake A Week is the tar-black residue still clinging like a parasite, clawing away at old wounds. Like ashes on celluloid, 'Little Black Cloud' opens up a widescreen vista of sound, albeit sullied and decaying. Eschewing the polish and sterility that digital production can entail, the album embodies the crackle and spark of embers of a once-consuming fire, giving us an album that feels organic and alive. Drawing comparisons with Max Richter, Deaf Centre, Johann Johannsson and The Protagonist, A Wake A Week will evoke cathartic exorcisms of woe in even the most glacial of hearts. |
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Ben Hudson (AKA Ebola) is a founding member of the Brighton-based Wrong Music crew, and has performed his explosive dancefloor set alongside the likes of Venetian Snares, The Bug, Scorn and many more. Releasing on labels like Mutant Sniper, Sublight, Noize:tek and Wrong Music his "broken" musical style is varied, with definite grime, dubstep, gabba and breakcore influences. He is currently working on various musical projects and collaborations with Otto von Schirach, Baseck, Duranduranduran and Shitmat. He is also working alongside research student Hannah Drayson on real-time EEG sensor based multimedia performance.
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Hiding his face as well as his real name, even more interesting questions arise when somebody attempts to get into Blackfilm's complicated music structures. Starting off in a somewhat soundtrack perspective, Blackfilm slowly builds up an incredibly dark environment, in which fearsome ambiences co-exist with film-noir references. Evolving from downtempo electronic music to orchestral paroxysms and, insanely, passing from down-pitched nothingness to frozen urban landscapes, it becomes impossible to resist. Let yourself sink in the abyss...
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Luis Garban of Venezuela has released heaps of records these past couple years for labels such as Ad Noiseam, Peace-off, Intellectual Violence, Mirex, Cock Rock Disco & Wrong Music and his latest album "Down To The Wire" on Terminal Dusk. |
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Influenced by dubstep as well as aggressive and sick styles, Mobthrow offers an ideal combination of upbeat breaks and crawling atmospheric images. Intelligently extreme while also deep and complex, his music preserves this industrial harshness only as a mastermind's touch to his already future technoid-meets dubstep-meets IDM progressions. Tags are useless when obvious beauty apparently comes out off this ultra-heavy explosion. Straight from the underground to the collapsing ones. Are you brave enough? |
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A wonderful vocalist and an exceptional artist, Katja is a passionate creator that experts in performing various styles' vocals ranging from ambient/IDM electronic music to even classical or orchestral/soundtrack parts. An artist who clearly stands out for her beautiful vocal lines and the elegant way she approaches each different piece of music, she points out a strong interest for oriental, ethnic and world music as well as cross-genre compositions while obviously adopting an open-minded perspective of how vocals should sound. Katja has collaborated with artists such as Subheim, Mobthrow, Detritus, Chameleon Jersey, Dergar and many more while continuously being active on various projects.
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If there was one phrase to describe the deepest feelings that slowly come out of Subheim's unique sound textures, that would be:"This man on the cold rooftop...this urban ugliness that blocked his gaze towards the infinity...". Rich arrangements followed by deep female vocals and a swell of electronic as well as classical ambiences mark Subheim as one of the finest projects of modern day's experimental electronica/soundtrack music. Balancing between emotional cryouts and moments of endless melancholy , while masterfully utilising a combination of IDM, orchestral and ambient soundscapes, Kostas K introduces you to the self-destructive place that the urban monster desperately throws the world in. Hope and tragedy are both here, painfully conceived in four piano strokes...
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Metallic and cold ambiences, noisy and wet environments. While still remaining absolutely ambient and atmospheric, Xsoz throws in cerebral noise fragments and sharp industrial sounds able to shred your senses into pieces...Mid-tempo Rhythmic noise as well as horror soudtrack references are all ideally combined into one big blast. That of Xsoz's distorted, mind-smashing universe. |
